Nicola Mazzanti graduated in 1982 from the “Luigi Cherubini” Conservatory of Florence after studying with Sergio Giambi. He later attended   courses and masterclasses with important soloists such as Mario   Ancillotti, Aurèle Nicolet, Maxence Larrieu, Emmanuel Pahud and James   Galway. 
                      A turning point in   his education was the meeting with Raymond Guiot at the Italian Flute   Academy in Rome, from which he graduated upon completion of a three-year   program. He also attended two seminars on the interpretation of Bach and Telemann held by Barthold Kuijken.
                      In 1986, Nicola   Mazzanti earned a degree with full marks from D.A.M.S. ( University of   Arts and Music) with a thesis in Music History. 
                      His   cultural curiousity also led him to explore the historical and   scientific aspects of his activity:  first of all, the relationship   between practice and musical performance and the correct use of the body   ( he studied the Alexander and Feldenkrais techniques and attended   conventions which dealt with common professional illnesses in   musicians). He also pursued the study of physics in the flute's sound    production. 
                    Orchestral Experience 
                      
                      Nicola   Mazzanti has been the piccolo flute soloist in the Maggio Musicale   Fiorentino Orchestra since 1998; his performance received   acknowledgements from conductors such as Mehta, Bychkov, Slatkin, Mata   and many others. 
                      In previous years, he played in many important national orchestras:  RAI in  Milan, ATER in Parma,  ADIMOS in Florence, Orchestra Internazionale d'Italia. 
                      A finalist in the European Youth Orchestra (E.C.Y.O.) in 1984, he also played in the Italian Youth Orchestra (O.G.I.). 
                      Between 1992 and 1996, he played as first flute in the Akronos Symphonic Orchestra of Prato. 
                      In 1999, he was   invited by Claudio Abbado to play as solo piccolo flute with the Mahler   Chamber Orchestra in the opera “Falstaff”. 
                      In 2002 he was asked to audition for “solo piccolo flute” in the Berliner Philharmoniker. 
                    Solo Performances and Chamber Music 
                    Nicola Mazzanti performs frequently both as a soloist and with chamber music ensembles in Italy and abroad. 
                      Lately, he has often   played music composed by his fellow-citizen Cesare Ciardi and has also   performed soundtracks from famous films with the “Nino Rota” trio on an   international tour. 
                      In order to diffuse the piccolo flute repertoire, in 2001 he gave a recital for piccolo flute and piano during “Flautissimo”,  the Italian flute symposium. In 2002, during  “Syrinx day” in Rome, he performed “Onivatto” (for piccolo flute and piano) by Raymond Guiot, an italian première.
                      Nicola Mazzanti has   also been invited to perform at the Vienna Flute Festival for the year   2003. On this occasion, he'll play "Il labirinto dell'anima" for piccolo   and orchestra of Raffaele Bellafronte, a world premiére.
                    Teaching Experience 
                    Nicola Mazzanti teaches both flute and piccolo. 
                      Since 1982, he has taught at the “G.Verdi” music school in Prato. 
                      Between 1995 and 2001, he also taught at the “Teodulo Mabellini” school of Pistoia. 
                      He has also held three flute courses for the “Harmonia” association in Florence as well as a piccolo course  for the “G. Verdi” school of Prato. 
                      Since 2001, he has   held annual courses in piccolo flute at the “Esperienze Musicali”   association based in Rovigo and at the Italian Flute Academy in Rome,   where he co-operates with both Raymond Guiot and Angelo Persichilli. 
                      In 2002, he was   invited to hold masterclassses during both the “Severino Gazzelloni”   International Flute Festival in Roccasecca and the “Gazzelloni Days” in   Florence. 
                      He   also contributes regularly to “Syrinx”, the Italian Flute Academy's   quarterly magazine, with a column on the piccolo flute, its technique   and repertoire.